GERALDINE KANG

  • CV/Contact
  • With and Without You
  • Peace Agency
  • Neither In Nor Out
  • Live-in (Mattress provided)
  • Aesthetic Screening
  • Left-Right
  • By unit of measurement
  • 2 Parts 2
  • This way forward
  • Of Two Bedrooms
  • By way of rhythms: Kenneth Tay in conversation with Geraldine Kang
  • As quietly as rhythms go
  • Under the guise of surface
  • This city by any other name (Would smell just as white)
  • In the Raw
  • CV/Contact
  • With and Without You
  • Peace Agency
  • Neither In Nor Out
  • Live-in (Mattress provided)
  • Aesthetic Screening
  • Left-Right
  • By unit of measurement
  • 2 Parts 2
  • This way forward
  • Of Two Bedrooms
  • By way of rhythms: Kenneth Tay in conversation with Geraldine Kang
  • As quietly as rhythms go
  • Under the guise of surface
  • This city by any other name (Would smell just as white)
  • In the Raw
This way forward (2015)
Corrugated zinc sheets, dimensions cut to size of gallery floor
Sponsor: Choon Hoe Heng Metalworks 
This way forward responds to the architecture of Lasalle College of the Arts's Project Space, and also takes its cue from the idiom "sitting on the fence". The exhibition at large (Still we walk on fences) is a summary of my personal ambivalences towards construction work, land usage, property and home. Turning the main material for construction fences on its side, audiences meet with an immediate choice upon entering the gallery: walk uncomfortably on the fence to view the images up close, or pace the ramp and view the work from a distance. An awareness of proximity arises, between individuals within the space, and also in relation to the topics and ideas presented in the images.